Amaranthine means eternal beauty, a concept that is always intertwined with nature and the human body. To transcend the boundaries between these two worlds, I chose the technique of double exposure on 35mm film, creating a profound and natural connection that evolved beyond initial planning and relied on the sensitivity of the moment.
Each movement required a specific time and intensity to fully capture the essence of that moment. The overlapping with nature could not be meticulously planned. The unknown allowed the fusion of images to become so well defined that it fueled my desire to continue this visual play between nature and body, between time and the mystery of the creative process.
Amaranthine represents a quest for harmony and connection, both with one’s own body and with the surrounding environment, offering a vision in which beauty is not limited by time, but transcends the moment through this organic fusion.
In the context of abuse against women, the project can also be seen as a form of healing – a process of reclaiming the body as a sacred space, not as an object. This reconnection with nature and with oneself becomes a gesture of liberation and a return to inner strength, beyond the traumas and the gazes that sought to control or define the body.
